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| A rendezvous with art of life was ‘The Untitled” | | Saat Din Hamare | |  EARLY TIMES REPORT
Jammu, July 6: Vikram Sharma, the veteran stage artist of the state took centrestage at Performing Art Studio in “Saat Din Hamare’ theatrefest and brought to the fore a theatrical expression of a human being tied in holistic balance in theatre and his professional duties.
Termed as the “the Untitled’—an English rendition of an expression of a human being was an extempore effort by the doyen of the art who left an indelible mark on the onlookers who remained glued to the 30 minutes episode that highlighted the inner conflict of a human persona faced with the realities of the life vis-à-vis theatre and his professional duties.
Vikram Sharma who had conceived the idea to bring to fore the emotional and suppressive element of the human being inside a human being was told through an autobiographical interpretation that included the artist’s face to face rendezvous with the art of life.
How a person sojourns at different points of his life and faces the untold facts rises to the occasion to list his importance of being a human being was the core of “The Untitled’.
The seasoned actor produced a telling effect of the issue.
Prof Lalit Magotra, president Dogri sanstha, the chief guest on the occasion while expressing his propinquity with theatre and the actor said that the art of theatrical and professional expertise imbibed in Vikram is abounding and boundless. He praised his sense of tuning all expressions to contemporary needs, be it in theatre or otherwise.
Aaditya Bhanu the organisor of the show gathered unprecedented applause from the audience for conductiong the yeoman’s task.
Deepak Prashar, Narinder Kumar, Shashi Bhushan, Ravinder Sharma, Reetu Manhas, Neha Lahotra, Dilshad Shazi also spoke on the occasion while Sumit Manhas, Shakeel, Mudassar, Anil Kotwal et. al. joined in interactive session with Vikram after the show.
It was Divya Artworks presentation.
In the last day tomorrow Dhanesh Dogra would perform a soliloquy from “The Glass Managerie’
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